Music Editor

Music editors are the ones to help make the directors musical vision come true, they are the link between the composers/band and the film. They control the structure of the soundtrack to back the entire film up, the music must be well written, well performed, and fit in with the scene as well as the atmospheric messages being conveyed. The music must always re-enforce instead of taking the attention away from the screen.

Like all sound post and pre production roles, music editor’s responsibilities vary on the budget and scale of the film they work on. But their roles may include managing performed music, as well as pre-recording music selection.

What is the job?

Usually on a medium budget Music editors usually start shortly after the picture locks start rolling in laying down temporary rough music and soundtracks. This will help other editors gage the emotional tempo, provide the composer with the right template, and guide the directors desired direction for the film.

Music Editors attend a “Spotting Session” with all other superior level set workers. To discuss the progress, opinions, changes etc of what is being done.

Typical career routes

There are no typical routes to become a music editor. Those in these positions are musically trained and talented individuals. That’s have worked their way up from the bottom as trainees.

This is a very competitive job role and take years to catch a break, but only the most talented and hard working progress. Though it is sometimes possible to be taken under a music editor’s wing as a trainee.

Essential knowledge and skills

Music Editors must have an expert knowledge of how music is constructed recorded and performed. They must also have knowledge and understanding of how music can affect images and create drama, as well as an encyclopaedic knowledge of pop and classical music. A working knowledge of computer editing software is also required.

Key Skills include:

• Musical skills
• Technical aptitude
• Strong aural skills
• Excellent communication skills
• A good sense of timing
• Ability to work well under pressure
• Knowledge of the requirements of the relevant Health and Safety legislation and procedures

Training and qualifications

Music Editors are usually graduates in Sound Technology and/or Music, who have also specialised in music at post-graduate level. Competition is increasingly high, and even those entering the film industry at a junior level usually have a B.Mus (Tonmeister) or similar qualification.

Individual course accreditation in certain subject areas is currently being piloted. As part of Creative Skillset’s and the UK Film Council’s Film Skills Strategy, A Bigger Future, a network of Screen Academies and a Film Business Academy have been approved as centres of excellence in education and training for film. For more information, please log onto the Creative Skillset website.

Income

The Career Development Center states Music Editor $20,000 - $60,000 (http://www.simplyhired.com/a/salary/search/q-Sound+Design+%2F+Supervising+Sound+Editor)